Eli "Paperboy" Reed sounds like a white kid from Boston, which is who he is. His songs sound like note-for-note throwbacks to mid-'60s Stax and Atlantic soul. In this case, the whitebread voice is an asset. God knows we've been inundated with retro soul over the past few years. It's a classic sound, of course, but the question remains whether anyone could possibly improve on Otis Redding or Sam Cooke. To his credit, Reed doesn't even try. He's just a white kid who loves soul music, and if the arrangements are slavish imitations of Booker T. and the MG's, the singing is more beholden to Hall and Oates. It's blue-eyed soul, all right, but it's refreshing to hear a singer in this genre who tries to be no one but himself. Yes, you've heard this all before. But perhaps not quite so unselfconsciously.
Wednesday, August 11, 2010
Eli "Paperboy" Reed -- Come and Get It
Eli "Paperboy" Reed sounds like a white kid from Boston, which is who he is. His songs sound like note-for-note throwbacks to mid-'60s Stax and Atlantic soul. In this case, the whitebread voice is an asset. God knows we've been inundated with retro soul over the past few years. It's a classic sound, of course, but the question remains whether anyone could possibly improve on Otis Redding or Sam Cooke. To his credit, Reed doesn't even try. He's just a white kid who loves soul music, and if the arrangements are slavish imitations of Booker T. and the MG's, the singing is more beholden to Hall and Oates. It's blue-eyed soul, all right, but it's refreshing to hear a singer in this genre who tries to be no one but himself. Yes, you've heard this all before. But perhaps not quite so unselfconsciously.
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