Brian, I'm glad you enjoyed the CD. Mando Saenz will be hard to find at most stores. I'd try Amazon: http://www.amazon.com/gp/product/B0002VEQDO/qid=1147546419/sr=2-1/ref=pd_bbs_b_2_1/002-9535999-7921663?s=music&v=glance&n=5174
Fred, these are interesting points, and I'd love to discuss them with you.
Part of the issue with songwriters is that they often have one foot squarely in the entertainment camp, and one foot squarely in the art camp. "Entertainment," particularly as it is marketed these days, is very much about youth and beauty. Art recognizes no such boundaries. Songwriters often occupy that hazy territory between both worlds.
For me, a lot of this has to do with genre. For rootsy musicians, jazz players, blues players, and singer/songwriter folkies, I'd say that age can be a plus, and that songwriters often benefit from additional life experiences. For rock 'n rollers, age is often a detriment, at least partly because they work in a genre that requires a lot of energy and attitude. And after a while, aging rock 'n rollers simply don't pass the strut-and-swagger test. Who wants to see a 62-year-old Mick Jagger parading around in spandex? Not me.
I hear a lot of great music being made by (relatively) young kids. And I hear a lot of great music being made by old farts. It doesn't matter to me. I'm much less concerned about the marketing/image than I am about the music itself, so there's absolutely no reason why both young, passionate kids and old geezers can't make great music. And a lot of them do.
I just reviewed an album by a guy named Johnny Dowd, who is 58 years old. What is interesting about this is that he recorded his first album when he was 50. Up until that point he drove trucks, and eventually started his own moving company. He recorded his first album in the warehouse that holds his moving trucks.
And he's great. He has one of those wonderful, lived-in, world-weary kind of voices like Johnny Cash, and he writes these marvelous seen-some-hard-times songs that I suspect come right out of his life on the road. A 20-year-old couldn't write these kinds of songs and be believable. But a 58-year-old guy can. Conversely, a 58-year-old guy shouldn't be writing "hope I die before I get old" anthems to misspent youth. It's too late.
There's a place for all of it. In any case, I don't prefer my songwriters to be young and dumb. They can be young or old. In neither case, do I want them to be dumb.
7 comments:
Congrats!!!
And a fine review it is....
Andy...I finally got he CD....It's great in the most mopsterish of ways...but now i need your help...
I GOTTA find more Mando Saenz...just gotta
Help mon ami
Brian, I'm glad you enjoyed the CD. Mando Saenz will be hard to find at most stores. I'd try Amazon: http://www.amazon.com/gp/product/B0002VEQDO/qid=1147546419/sr=2-1/ref=pd_bbs_b_2_1/002-9535999-7921663?s=music&v=glance&n=5174
"Razing the Bar"
80--Uncle Screwtape
It’s hard to find fault with such a warm, generous and open-hearted collection of blog posts.
Merci mon ami...
You're turning into a very unfair influence on my CD a week project.
Thanks again, and I'll head to Amazon this minute.
Happy "Married to a Mother" Day
Brian
Have you listened to Sufjan's new album yet? I'd love to read your review of it, if you write one.
Fred, these are interesting points, and I'd love to discuss them with you.
Part of the issue with songwriters is that they often have one foot squarely in the entertainment camp, and one foot squarely in the art camp. "Entertainment," particularly as it is marketed these days, is very much about youth and beauty. Art recognizes no such boundaries. Songwriters often occupy that hazy territory between both worlds.
For me, a lot of this has to do with genre. For rootsy musicians, jazz players, blues players, and singer/songwriter folkies, I'd say that age can be a plus, and that songwriters often benefit from additional life experiences. For rock 'n rollers, age is often a detriment, at least partly because they work in a genre that requires a lot of energy and attitude. And after a while, aging rock 'n rollers simply don't pass the strut-and-swagger test. Who wants to see a 62-year-old Mick Jagger parading around in spandex? Not me.
I hear a lot of great music being made by (relatively) young kids. And I hear a lot of great music being made by old farts. It doesn't matter to me. I'm much less concerned about the marketing/image than I am about the music itself, so there's absolutely no reason why both young, passionate kids and old geezers can't make great music. And a lot of them do.
I just reviewed an album by a guy named Johnny Dowd, who is 58 years old. What is interesting about this is that he recorded his first album when he was 50. Up until that point he drove trucks, and eventually started his own moving company. He recorded his first album in the warehouse that holds his moving trucks.
And he's great. He has one of those wonderful, lived-in, world-weary kind of voices like Johnny Cash, and he writes these marvelous seen-some-hard-times songs that I suspect come right out of his life on the road. A 20-year-old couldn't write these kinds of songs and be believable. But a 58-year-old guy can. Conversely, a 58-year-old guy shouldn't be writing "hope I die before I get old" anthems to misspent youth. It's too late.
There's a place for all of it. In any case, I don't prefer my songwriters to be young and dumb. They can be young or old. In neither case, do I want them to be dumb.
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